CINE6-3D also offered as CINE160-3D
The super 35mm 3D and big screen format

Here's our contribution to the "How do you distribute a good 3D film like Cameron's" Battle Angel" in 2005 and beyond..

THIS IS SOMEWHAT TECHNICAL...BUT AN  IMPORTANT CONCEPT
Any popular motion picture projector can be set up with an interchangable kit to alter the pull-down,
in terms of the number of spocket holes (perfs.) moved with each stroke of the Geneva movement.
We propose to change the PULL-DOWN  to move SIX sprocket holes (PERFS) every 24th of a second,
NOT FOUR, as is the case with regular 35mm film projection.
A split lens with built-in POLARIZERS would then project two images onto the screen in overlay.
This would be  somewhat LARGER, but still basically
similar to the Stereovision lenses developed years ago by Chris Condon and myself (Allan Silliphant).
The greater SIZE and SPACING, will dramatically improve brightness, while the bigger FILM IMAGE will improve
clarity and color values. The SPLIT LENS system uses built-in polarizers, or mirror boxes, with a single large lens, uses larger polarizers.
THE PROJECTOR COULD BE RE-RIGGED IN TEN MINUTES OR LESS TO RUN STANDARD 35MM PULL DOWN.

This would be, and IS!... far better than any previous above/below form of single projector, polarized 3D.

The same camera negatives could ALSO be processed into theatrical Anachrome  RED/CYAN FORMATfor mass world
theater distribution or for HD-DVD Blu-ray home release in a year or two. At an estimated $14,000 total cost
per auditorium,  CINE6-3D  would be a way to get a thousand more high quality POLARIZED screens in a year or less.
This cost would include installing a LARGE metalic surfaced screen. in the 1.85 wide format.
This inexpensive approach would offer as much as 85% of the impact of IMAX 3D©, at a tiny fraction of the construction , print and operating cost.

Anybody who is planning a feature film should  consider this format in light of the
STUNNING SUCCESS OF POLAR  EXPRESS IMAX 3D RELEASE.
IT IS DOING AN AMAZING AVERAGE OF $62,700 PER SCREEN!
As much as 18 TIMES AS MUCH, per screen!
And note that it is being shown in regular widescreen format  3D IMAX, not the BIG SQUARE SCREEN.
The SUPER 35MM has the same screen aspect.

Allan Silliphant is delighted to answer any questions regarding the process. Call him:

Anachrome 3D Group
(818) 399-9745
in Simi Valley CA
e-mail contactSharper3D@Yahoo.com

If you  wish to RETURN to, or visit the main body of site click here.www.anachrome.com