This is he difference when seen in the same theater with the same light source.
The upper screen is a basic widescreen 3D Stereovision format on 35mm . Chris Condon and I
developed this system in the early 1970's. It is very limited in terms of brightness and clarity.
We have had 30 years to think of a way to do 3D 35mm better...We did! and CINE 160 is the answer.
This versatile format is good for above and below polarized 3D, and for Anamorphic Anachrome RGB color 3D.
It can even be used to get a bigger brighter picture for any kind of 35mm film .There is surely a need to a "Special Format' more practical than IMAX. We love IMAX but it is profound OVERKILL for most applications, in our professional opinion.
A rebuilt conventional projector head with built-in QUICK CHANGE film drive can be installed with lens , digital
sound pickup, and a 4000 watt lamphouse for under $25,000 on an trade-in basis on the old projector.
Most popular traditional brands like Simplex, Century, Philips, and others can be easily retrofitted.
There is no reason why the actual manufacturers can't make the kits to meet our specs.
We have one single machine...A Century addapted years ago for Cinerama. It is proven technology!
We suggest that every few weeks, a film comes along with enough class to justify Cine 160 FLAT release to a perhaps 800 North American theaters!
This promotional effort is in full swing. The main things needed are the concept and a trade name for the better format.
CINE 160 3D and CINE 160 are our chosen trade names...hence the public will know what to expect when they see the name in theater advertising.
We welcome any companies in the field to work with in promoting this new format and the marketing names.
THE OTHER APPLICATION IS WIDER RELEASE OF LARGE FORMAT ORIGINATED FILMS LIKE IMAX ®.
INSTEAD OF BEING LIMITED TO PERHAPS 100 LF FIRST RUN DATES... THESE "GIANT SCREEN FILMS"
WOULD FIND A HOME AT ALL MAJOR MOVIE COMPLEXES. THe format would still look great and have the
characteristic tall square screen , with the best sound system in the complex. Also wide-screen anamorphic
prints could be run of regular Hollywood "high budget" fictional features, giving much of the 70mm effect
that has been missing for about 15 years from major mass release.
This could be good for all concerned... Please call us to see a demonstration...If you are with a studio or
or an exhibitor. One major CEO said he'd take 15 systems in a heartbeat if Disney or Warners would offer a single feature this way!
DON'T LET THE MOVIE THEATER INDUSTRY DIE FROM SHEER LACK OF IMAGINATION AND GUTS!
NON 3D : This is the flat frame size which stretches to double width on screen
to simulate a 70mm lookAllan Silliphant December 2005
