How is this different or better?
It does what is says...it delivers perfect , full spectrum color. You don't use colored lenses, they are perfectly clear and NOT POLARIZED.
It can deliver much higher resolution than any form of Anaglyph 3D, even our now famous Anachrome method.
You can take advantage of the breathtaking clarity of modern 8.2 to 16 megapixal digital SLR cameras.
Hi, I'm Allan Silliphant, and after doing 3D movie making and stereo still photography for almost 40 years, I wouldn't get excited if something
like this wasn't a step forward.
So check out what we shot, just this last week-end at a local custom car show. It is dual camera shooting with real people. They were just
standing around, looking at cars, or crossing the street, not posing, in most shots. These new SLR respond fast enough and
accurately enough to shoot good stereo...MOST OF THE TIME, BY BEING YOUR OWN SYNC DEVICE. IT JUST REQUIRES
NORMAL CO-ORDINATION WHEN YOU PUSH THE SHUTTER BUTTONS AT (HOPEFULLY) THE SAME INSTANT.
Allan Silliphant Nov 1, 2006
We will display them at medium file size, 1200 pixels across. Cross View if you know the trick, or get some of our new "budget" PERFECT CHROMA © glasses
THE CUSTOM CAR SHOW -DEMO GALLERY # 1
Yes, she is posing, but it was shot with our two camera rig. How's the color, folks?
This is about as close as you can get with a dual rig. For closer, shoot with a single move-over camera with the rig.. Inter-eye distance would need to be reduced for closer work.
The older guy is obviously moving slowly unawar e ofthe picture. Like, i said, you can shoot sports until a synchronizing module is available. But this is good stuff, I'd say!
She wasn't posing, this is how I met her. The guy was really just on a call ! Not sports...BUT LIFE IN PROGRESS!
Pretty decent color, as well. I hope you can CROSS- VIEW THIS STUFF!
In this shot I wanted it wide so I just roteted the two camera rig and shot left and right with a 2 inch moveover. You can't beat big yellow vehicles in 3D!
The camera is
shifted sideways about 1/50 of the distance between the camera
and subject.
